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Laura Wilson Taylor nee Barker 1819-1905
Are Castle Altenahr Aug 24 1876

inscribed and dated "Are Castle Altenahr Aug 24 1876" and signed with initials "LWT"

pencil and watercolour
30 x 22.5 cm.
Provenance

Tom and Laura Taylor and thence by descent

Notes

Are Castle  is the ruin of a hill castle that stands at a height of 240 m above sea level (NHN) above the village of Altenahr in the German state of Rhineland-Palatinate. It was built around 1100 by Count Dietrich I of Are and is first recorded in 1121.

Since 1965 the Are Gymnasium – a local grammar school – in Bad Neuenahr-Ahrweiler has borne the name which is derived from the castle and its eponymous noble family.

The plan of the castle is rectangular. As well as parts of the outer ward and a gate – the so-called Gymnicher Porz – remains of the defensive wall have survived. In addition, on the southern side of the site, is an old gate tower (also called the Schellenturm), as well as the ruins of the palas, which once had a heated bishop's chamber. The first bergfried probably stood on the pointed dome of rock in its northern corner. North of that are extensive remains of the Romanesque castle chapel dating to the 12th century.

The Gymnicher Porz (below left) and the ruins of the castle house

Below Are Castle lie the remains of the Gymnicher PorzPorz standing for Pforte or "portal". This was the lower gateway on the access road to the castle which, in combination with a wall, barred the way to the castle hill. The structure comprised a gatehouse over the access road, an attached castle house (Burghaus), with a basement and two floors housing living accommodation, and an attached tower. It took its name from the House of Gymnich. Several members of the family held the castle in fief (they were ‘’Pfandnehmer’’) in the 14th and 16th centuries. It is suspected that the gate system was built during this time. From time to time the Gymnicher Porz was an independent fief (Burglehen) of the House of Gymnich.

From 1997 to 1999 the ruins were made safe at a high financial cost and classed as a protected monument. Since then they have been open to the public once more. The conservation work that began in March 1997 had the primary purpose of protecting traffic. There was a risk of rocks and stones from the site falling onto the federal highway. The construction material was transported to the castle site on a cable suspended from a Hughes 500 helicopter. After 30 flights the laden helicopter crashed on 9 April 1997 because the cable caught on its skids. The pilot received fatal injuries.

In autumn 1997 the 22-metre (72 ft) long palas wall and its two side walls were restored. To guarantee the stability of the walls, 65 anchors were driven up to 14 metres (46 ft) deep into the slate rock.

Altenahr and Are Castle around 1900

In 1246 Count Frederick of Hochstadenprovost of Xanten, with the assent of his brother Conrad of Are-Hochstaden gifted the county and its castles - Are, Hardt and Hochstaden – to the Archbishopric of Cologne. Its expansion with a surrounding enceinte was carried out during the period of Electoral Cologne in the 14th and 15th centuries in order to protect the Electorate's estates in the Ahr region. In the 16th and 17th centuries there were only minor changes to the castle in the form of repairs and replacement buildings. Periodically the castle was also used as a gaol in which the archbishops of Cologne incarcerated their enemies. For a long time Are Castle was a spiritual and cultural centre for the whole area.

Increasingly often, the archbishops of Cologne enfeoffed Are Castle with the district (Amt) of Altenahr. The liegemen were installed as Amtmännern and most of the also lived at the castle. Over a long time the castle fell into a poor state of repair because the vassals did not carry out the necessary work. One exception was the period of Henry of the Horst, who died in 1625.

In 1690 the castle was captured by French troops after a nine-month siege. The castle was badly damaged by shelling. In 1697 the French withdrew, but occupied the castle again during the War of the Spanish Succession that began in 1701. In 1706 the castle was taken over by Electoral Cologne forces and the area became unsafe. For this reason Prince Elector Joseph Clemens of Bavaria had the walls blown up in 1714 with the agreement of the villagers. Since then the castle has been a ruin. Reusable materials such as wood and stone were used as construction materials for the rebuilding of the district house (Amtshaus) at the foot of the castle hill.

  • The castle and Gymnicher Porz around 1830

    The castle and Gymnicher Porz around 1830

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  • The castle and gateway today from a similar standpoint

    The castle and gateway today from a similar standpoint

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  • Inner ward

    Inner ward

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  • Ruins of the castle house of the Gymnicher Porz with the remains of the chimney

    Ruins of the castle house of the Gymnicher Porz with the remains of the chimney

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  • Castle chapel

    Castle chapel

Sigewin of Are, Archbishop of Cologne is mentioned in the records as early as 1087, but Dietrich I of Are is viewed as the primogenitur of the House of Are. The comital family named themselves after the river Ahr, whose surrounding area they owned. In 1140 the family divided into the lines of Are-Hochstaden and Are-Nürburg. Members of the family include:

Artist biography

Laura Wilson Barker (6 March 1819 – 22 May 1905), was a composer, performer and artist, sometimes also referred to as Laura Barker, Laura W Taylor or "Mrs Tom Taylor".

She was born in Thirkleby, North Yorkshire, third daughter of a clergyman, the Rev. Thomas Barker. She studied privately with Cipriani Potter and became an accomplished pianist and violinist. As a young girl Barker performed with both Louis Spohr and Paganini. She began composing in the mid-1830s - her Seven Romances for voice and guitar were published in 1837. From around 1843 until 1855 she taught music at York School for the Blind. During this period some of her compositions - including a symphony in manuscript, on 19 April 1845 - were performed at York Choral Society concerts.

On 19 June 1855 she married the English dramatist, critic, biographer, public servant, and editor of Punch magazine Tom Taylor. Barker contributed music to at least one of her husband's plays, an overture and entr'acte to Joan of Arc (1871), and provided harmonisations as an appendix to his translation of Ballads and Songs of Brittany (1865).

Her other works include the cantata Enone (1850), the violin sonata A Country Walk (1860), theatre music for As You Like It, (April 1880), Songs of Youth (1884), string quartets, madrigals and solo songs. Her choral setting of Keats's A Prophecy, composed in 1850, was performed for the first time 49 years later at the Hovingham Festival in 1899. The composer was present.

Several of Barker's paintings hang at Smallhythe Place in Kent, Ellen Terry's house.

Barker lived with her husband and family at 84 Lavender Sweep, Battersea. There were two children: the artist John Wycliffe Taylor (1859–1925), and Laura Lucy Arnold Taylor (1863–1940). The Sunday musical soirees at the house attracted many well-known attendees, including Lewis CarrollCharles DickensHenry IrvingCharles ReadeAlfred Tennyson, Ellen Terry and William Makepeace Thackeray.

Tom Taylor died suddenly at his home in 1880 at the age of 62. After his death, his widow retired to Porch House, Coleshill in Buckinghamshire, where she died on 22 May 1905, aged 86.