gallery

Tom Taylor 1817-1880
Brede Place - St Leonards Wed Oct 17 1860

inscribed and dated "Brede Place - St Leonards Wed  Oct 17 1860" and signed with initials "TT"

pencil and watercolour
25 x 34 cm.
Provenance

Tom and Laura Taylor and thence by descent

Notes

Rebuilt by Robert Oxenbridge in the C15 in sandstone ashlar or stone rubble with ashlar dressings, to which a few alterations or additions were made in the C16 in red brick. The main front faces west. 2 storeys and attic. 8 windows. 2
dormers and 3 attic windows in gables. The hall was in the centre, the chapel at the south end. The front has 3 projections. The southernmost one is C15 and contains the chapel. It has a square-headed window of 2 cinquefoil-headed lights on both ground and first floors. The other two projections are C16 additions in red brick made by Sir Goddard Oxenbridge. The centre one has splayed angles and a hipped roof, and originally had doorways into it from both the hall and the solar but one is now blocked. The northernmost projection forms the entrance. It has a gable to both its west and south faces and a four-centred doorway with brick hood mould over. Buttress at the north west angle of the front. Casement windows, mostly modern. The south front has one pointed C15 window and 3 cinquefoil headed lights and tracery above, which lights the chapel, and 2 chimney breasts. The east front has 4 windows and 3 large and two small dormers. Large C16 crow- stepped brick gable in the centre. Modern casement windows. From 1712-1936 the house was owned by the Frewen family of Brickwall, Northiam. This was one of the finest historic buildings in Sussex but has recently been badly damaged by fire and largely gutted. It has now been reconstructed and extended.

Brede is undoubtedly a very old settlement and a church on its present site may pre-date Domesday, although the existing church may ‘only’ have developed from 1140 – 1180. Of this Norman church only the pillars of the south arcade remain and these have been dated to c.1180. But it has been deduced that a church at Brede must have been one of the five churches described in the Domesday Book of 1085 as being within the manor of Rameslie1,2 . The first mention of Brede (Bretda) itself in charter records is 1028 (see below). The manor of Brede is inextricably involved in the large and valuable estate of Rameslie belonging to the Norman abbey of Fécamp recorded in Domesday. This ownership overlaps with the first families to be discussed and makes in itself an interesting prelude.

Before Domesday to this a very first mention of Rameslie that can be found is hidden in a charter issued by King Aethelred II in 1005 : King Æthelred to Eynsham Abbey; confirmation of its foundation by Æthelmær, with endowments including ….. Rameslege (Rameslie) bequeathed to Eynsham by Wulfin (Wulfwynn), Æthelmær's kinswoman, who was a ‘property holder in Sussex’. Æthelmær ‘the Ealdorman or Earl’ must have started creating (probably re-creating) Eynsham Abbey some considerable time before 1005 as Aethelred's charter of confirmation implies that the abbey was already functioning4 . He eventually retired there dying in 1013. Æthelmær was a kinsman of Æthelred and ‘Rameslege’ had been bequeathed by Wulfwynn (who may have been abbess of Wareham, a nunnery dispersed by Danes in 876 but probably re-founded in 915 [traditionally by Æthelflæd, oldest daughter of King Alfred] and incidentally the first burial place in 978 of King Edward the Martyr killed by supporters of his half-brother Aethelred II) to her own kinsman at her death in 982, presumably dedicating it to endow the new abbey. By deduction this would date the existence of Rameslie to sometime before 982. A mystery remains about how Rameslie was endowed to Wulfwynn/Wareham in the first place. At some point, possibly as part of the marriage agreement, Æthelred had promised his new Queen Emma (of Normandy) that he would give ‘Rameslegh’ to Fécamp Abbey and would compensate Eynsham Abbey, but he failed to do so before his death. Emma was not to forget this. Soon after Aethelred’s death she married England’s new Danish King Cnut, who had decided to make a political marriage. He was already married ‘in the Danish way’ to Ælfgifu of Northampton, whom he was prepared to ‘put aside’, and he made a formal arrangement to marry Æthelred’s widow, Emma. So a deal was done. Cnut ‘had her fetched’ from Normandy to which she had fled in 1017. Emma played an active role in the signing of royal grants and charters and she took steps to make sure that ‘Ramesleagh’/Rameslie was granted to the Norman abbey of Fécamp, a favourite abbey of the Norman court. Emma signed the grants that Cnut made to the abbey in 1017 by which Fécamp was given the estate together with its harbour, ‘as promised by Ælthelred’. Some of present day Hastings (including what is now the ‘old’ town and the West Hill) was included in the grant of Rameslie to Fécamp which also included Rye and Old Winchelsea and covered virtually all of the hundred of Guestling. In or just after 1028 a further charter or charters confirmed by Harthacnut and also signed by Emma added to Fécamp the manor of Brede (which extended the estate of Rameslie into the eastern part of the hundred of Gostrow) plus the revenue from two thirds of the tithes of Winchelsea. Overall, although there is one charter it appears to contain two documents which refer to three5 . Haskins says that the cartulary of Fécamp ‘is not free from forgeries’. But we can presume that Brede, with its dual royal and abbatial connections and as a centre of a hundred, would have had an early church which was replaced by the present St George’s Church whose ‘building of a new church’ was funded by Fécamp. During repeated warfare with France later in the Middle Ages, Fécamp’s strategic coastal holdings were regularly taken over by the Crown. Rye and Winchelsea were eventually removed from Fécamp’s possession in 1247 by King Henry III, being exchanged for inland manors, and finally in 1416 the manor of Brede was granted by King Henry V to the community of Bridgettine nuns of Syon Abbey, which retained the lands until the abbey’s dissolution in 1539.

Syon managed Brede from afar, and leased much land to members of the Oxenbridge family. At the dissolution of Syon Sir Anthony Browne, who had taken over Battle Abbey and all its lands in 1538 also received the neighbouring lands at Brede which had been held by Syon. The Brede manor also included considerable rentals in Hastings. Austen6 records that an early owner of a house on the site of Brede Place was Robert atte Forde (taxed at 12s in the Lay-subsidy roll of 1297, and taxed again in 1327). The site is to be found on the side of a hill about 1 ½ miles from Brede village overlooking the river Brede. This used to be called Ford Place (as it stood near a place where the river Brede could be forded at that time). Thomas atte Ford started to build a stone house in the late 14th century to replace a preexisting wooden house and this was probably continued after the marriage of Margery atte Ford to John Oxenbridge during the reign of Richard II, then by Robert Oxenbridge and later members of the Oxenbridge family, with extensions in brick in the 16th century. The house remained with the Oxenbridges for 225 years or so until the middle of the 17th century, when a later Sir Robert disposed of all Brede property.

The house included a chapel with a priest’s room above, and as the Oxenbridges remained catholic after the Reformation it must have continued for private services. Until the reformation the family had occupied positions close to the throne: Sir Goddard Oxenbridge (whom the locals believed ate naughty children) was a courtier to Henry VII, dying in 1531, and his brother was John a canon of St George’s, Windsor. Appropriately, Sir Robert was an MP for Sussex during the reign of the catholic Mary I. Another Oxenbridge, William, was MP for Rye in 1542 and later mayor of Winchelsea. Like so many others they were ironmasters, owning Brede furnace. And like all landed gentry they performed a multitude of roles about the county. A later Sir Robert Oxenbridge sold all his property in Brede in 1619. The largest portion was purchased by John Porter, then by Stephen Frewen c.1676. The smaller part including Forde/Brede Place was bought by Sir Thomas Dyke and on his death in 1712 his family sold the estate to Sir Edward Frewen of Brickwall at Northiam, where his family had lived since at least 1666. He and his successors appear to have had little need of Forde/Brede and the house was used as a farmhouse then lodgings for labourers and fell into some disrepair until the early 19th century. However it continued in the possession of the Frewens for more than two centuries as a junior house to Brickwall, being occupied later by various members of the Frewen family, although in 1872 it was let on a long lease to Benjamin Marriott of London, who proceeded on a restoration, but unfortunately soon died although his widow continued in residence for five or six years.

 

Tomb of Sir Goddard Oxenbridge in St George’s Church, Brede. Note: d.1531 but date on tomb 1537 Brede Place (ESRO) The Frewens never quite reached the peak of society, never being ennobled, but they were close to it. They were certainly wealthy, at least until late in the nineteenth century, and parts of their clan had lands in the south-west, the east Midlands and Ireland. In fact the last book by their best-known modern scion, Moreton Frewen, was titled Melton Mowbray and other memories (1924), referring back to the east Midlands. Unlike some other Sussex families they were slow to produce MPs, providing only three, well-spaced out through the centuries. In 1898 Colonel Edward Frewen sold Brede to his brother Moreton (1853-1924), a man of great ability and connections but of spectacular financial failure, who was sometimes known as Mortal Ruin. Brede had been empty for over a hundred years and was falling to pieces, but Moreton’s wife Clara saw the possibilities. The deeds of property were put in Clara’s name to forestall creditors. The house was in a very bad way, not having been occupied for some time, and a priority of Clara was to bring it up to a habitable standard. This took some time and meanwhile she leased the house for a while to the American author Stephen Crane who entertained many from the literary world.

When the latest restoration was complete at the start of the 20th century the owners began to reside there permanently. Moreton’s wife Clara, whom he met in New York, was the sister of Jennie Jerome who had married Lord Randolph Churchill and so he became the uncle of Winston Churchill. He was soon commissioned by the young Churchill to edit one of books, which he appears to have done very badly. Moreton’s story is one of constant over-investment and failure – when he died in 1924 he left less than £50 – but of great hospitality and a lasting marriage even though he appears to have been a serial adulterer. Moreton started out well enough in the conventional way – Cambridge and the Inner Temple – but he could never keep still. A ranching venture in the western USA brought in money for a time but then failed; when he was left a house in Ireland with a good income he invested heavily again and lost again. The Irish house was burned down in 1912, presumably by more extreme nationalists than he was. Clarita (Clara) Frewen, née Jerome From this account he sounds very much like a failure. In fact Frewen was a most intelligent, analytical and positive man, with his own very independent views. He wrote well and copiously. His obituary in The Times declared: There was no more interesting raconteur, and with Mr [Maynard] Keynes he must be accounted one of those Cambridge economists who write as brilliantly as novelists.i According to Kipling, he lived in every sense, except what is called common sense, very richly and wisely to his own extreme content, and if he had ever reached the golden crock of his dreams, he would have perished. Frewen knew most of the literati of his age, including Henry James, Joseph Conrad, Rudyard Kipling and H G Wells, and as noted above the American Stephen Crane author of ‘The Red Badge of Courage’, unfortunately dying of tuberculosis, lived briefly at Brede Place. Moreton also moved in circles near, if not actually close to, the throne. He was at almost every wedding, funeral, memorial service or ceremony. In 1913 he was part of the ‘peace delegation’ sent to the USA to celebrate the century of peace following the 1812-14 war between the two countries. His first letter to The Times was in 1884, when he was heavily involved with attempts to open the British market to beef imports from the USA. The last was not long before he died.

They were on a range of subjects – not only beef imports but salmon hatcheries, relations with the USA, the currency of India and the constitution of the UK (for which he championed a federal arrangement of five states – presumably England, Scotland, Wales and two parts of Ireland). In December 1910, to general surprise, he was elected unopposed as MP for North East Cork, standing as an Independent Nationalist. Moreton Frewen At that time there were two Irish nationalist parties in the Commons – the majority, led by William Redmond, and the independents, led by William O’Brien. Redmond wanted a fully united Ireland; the latter favoured concessions to the North, to be included in an Ireland that would give powers to its devolved provinces. Frewen did not last long in the Commons. As soon as he was elected he was saying that he wanted to resign and make way for Tim Healy (who later became Governor-General of the Irish Free State) but the moment did not come until July 1911.

An argumentative parliamentarian, he tended to disagree with any party line, and wanted to oppose the Bill then being debated on the future of the House of Lords. Instead of limiting its powers, he wanted it replaced altogether by his federal body; but he was almost alone in this view, certainly among his immediate colleagues. (It is a view that still has some traction, but not noticeably among members of Parliament.) He would have been pleased that Healy was indeed elected in his place, unopposed. Earlier in the century he had been a leading light in the Tariff Reform League in the debates on the future of free trade that led to the Conservative Party splitting and the great Liberal victory in the general election of 1906, by way of writing articles and touring the country making speeches. Frewen had three children. The eldest, Hugh, joined the army and served in the First World War. Marrying in Rome in 1914, he deserted his wife, who finally obtained a divorce and custody of their two children; he then remarried and went to Australia, where he spent the rest of his life, dying in 1957. The second was Oswald, who joined the Royal Navy but after 1918 trained as a barrister and practised for a long time; he died in 1958. The third was the best-known – Clare, who under her married name of Sheridan became a very well-known sculptor and wrote an autobiography (Naked Truth, 1927) which is said to vividly portray life at Brede Place.

A modern historical anecdote7,8 concerns ‘The Sheephouse’ as in 1929 Oswald Frewen converted an ancient sheep barn on 100 acres adjacent to Brede Place into a timber-framed home. Oswald was a friend of Herbert Leigh Holman, Vivien Leigh's husband, and in 1936 Oswald accompanied Vivien to Capri where they met up with Olivier and his then wife, Jill Esmond. Laurence Olivier's subsequent love affair with Vivien Leigh was one of the most notorious scandals of its day. Olivier has been said to have actually proposed to Vivien at ‘The Sheephouse’. This private property today advertises itself as a venue for film making, but also has a small converted barn rented out for short stays. When Moreton died in 19249 Brede Place was passed to his second son Oswald, who in turn sold it to his nephew Richard Brinsley Sheridan, Clare Sheridan’s son, in August 1936. Richard sadly died a few months later in December 1936 from peritonitis whilst on a trip to Algeria. Moreton’s long suffering wife Clara had lived until January 1935 and is buried at Northiam. On Richard Sheridan’s death the house was sold out of the family.

The house had been owned by the Frewen family since 1712. A devastating fire in 1979 caused extensive damage and only the outer walls and chapel and chapel extension survived. The fire revealed that the house stonework was a casing over original timber framing. An imaginative restoration took place 1979 – 83. One of the architects who worked on the restoration stated: The main house was burnt out and the roof destroyed although outside it is much the same. This was replaced with a modern structure to the original shape and a ‘great hall’ formed more like its early use, [which had been] later floored over. New larger windows were inserted on west and east sides and a new high level gable window facing south, the stone walls were lined inside. Fortunately the chapel was virtually untouched… Now reconstructed and extended it remains in private hands but not those of the Frewen family.

The tale of the cannibal ogre has persisted for 400 years. Sir Goddard Oxenbridge, a towering 16th century knight, was said to eat a child every night for his supper. He could not be harmed by conventional weapons but was vulnerable to anything made of wood.

The children of Sussex held a council for self-protection and hit upon a plan. They persuaded the giant to become stupefied with drink and then sawed him in half with a massive wooden saw, the children of East Sussex riding on one end and their West Sussex Cousins on the other.

The scene of the infants’ deliverance, between Brede Place and the church, became known as Groaning Bridge and was haunted by the ghost of Sir Goddard. No doubt the story served two purposes: As a warning to naughty children from exasperated Brede mothers that the giant would have them on his plate, and an intimidating legend with which smugglers could scare away the curious from the nocturnal goings-on at Brede Place which they used as a headquarters.

But tales of the ghost and reports of strange noises at Groaning Bridge were well enough authenticated for the Psychical Research Society to take some interest in it at the beginning of the 20th century. Poor old Sir Goddard lies in a tomb bearing his armoured effigy in the church he helped to build for the village, remembered still for his dining habits rather than his generosity.

Brede Place, which dates from the 14th century and is still sometimes referred to locally as the Giant’s House, has another supernatural story. Alterations 300 years ago cut off the altar area of the chapel, disturbing the spirit of a priest who once lived there and who still haunts the spot where the altar used to be.

The house was rented for a time by Stephen Crane, author of The Red Badge of Courage (remember Audie Murphy in the film version?), and the sculptress Clare Sheridan also lived here. She carved a madonna from the trunk of an oak tree which is among the treasures of the church.

The village, pleasantly situated on a southern slope tumbling down to the small river which bears its name, was famous for its iron works, making cannon and shot until the bottom fell out of the Sussex iron trade. Brede went over to the manufacture of gunpowder in the 18th century and William Sinden was ‘blown into five parts from the sudden explosure (sic) of Brede Gunpowder Mills, March 7, 1808.’ Was he perhaps smoking on the job?

The vicar once found the actress Ellen Terry having a picnic lunch in the churchyard: The most cheerful churchyard I ever knew,’ she told him. But it has a relic of a tragic Victorian love story in the form of a small oak cross bearing the single word “Damaris’. Damaris Richardson lived with her uncle in a modest cottage in Rectory Lane. She was a beautiful orphan who worked at the rectory and in a small residential school operated by Rev Maher to supplement his income. She fell in love with Lewis Smith, the handsome young son and sole heir of a wealthy Brede landowner, and they would meet in secret at the west wall of the churchyard – she on the graveyard side and Lewis on the other, in the grounds of the big house where he lived with his parents.

They soon agreed to become unofficially engaged. But affairs are hard to conceal in a small village community and Somebody told Lewis’ father of the clandestine meetings. He angrily forbade any ideas of marriage – beautiful, charming and respectable Damaris might be, but she stood far below the station of the Smith family. Lewis, threatened with being cut off without a shilling, gave way to his father.

Presumably there was one final meeting of farewell beside the wall before they parted forever. Damaris, they say, died of a broken heart at the age of 22 and was buried near the trysting place on 4 September 1856. Her grave was unmarked until the Rev Aylward, who years later succeeded Mr Maher as rector of Brede and remembered the orphan from his days as a pupil at the village’s school, commissioned the erection of the cross. Lewis Smith never married, living alone and withdrawn in the big house he inherited. Villagers said he was often to be seen walking gravely in the gardens, close to the wall. He died, aged 64, on 23 February 1896 and was interred in the Smith family tomb on the north side of the church. At one time the church housed the cradle of Jonathan Swift, having been bought at a Brighton curio sale.

Artist biography
Tom Taylor (photograph by Lock and Whitfield)

 

Tom Taylor (19 October 1817 – 12 July 1880) was an English dramatist, critic, biographer, public servant, and editor of Punch magazine. Taylor had a brief academic career, holding the professorship of English literature and language at University College, London in the 1840s, after which he practised law and became a civil servant. At the same time he became a journalist, most prominently as a contributor to, and eventually editor of Punch.

In addition to these vocations, Taylor began a theatre career and became best known as a playwright, with up to 100 plays staged during his career. Many were adaptations of French plays, but these and his original works cover a range from farce to melodrama. Most fell into neglect after Taylor's death, but Our American Cousin (1858), which achieved great success in the 19th century, remains famous as the piece that was being performed in the presence of Abraham Lincoln when he was assassinated in 1865.

Early years

Taylor was born into a newly wealthy family at Bishopwearmouth, a suburb of Sunderland, in north-east England. He was the second son of Thomas Taylor (1769–1843) and his wife, Maria Josephina, née Arnold (1784–1858). His father had begun as a labourer on a small farm in Cumberland and had risen to become co-owner of a flourishing brewery in Durham. After attending the Grange School in Sunderland, and studying for two sessions at the University of Glasgow, Taylor became a student of Trinity College, Cambridge in 1837, was elected to a scholarship in 1838, and graduated with a BA in both classics and mathematics. He was elected a fellow of the college in 1842 and received his MA degree the following year.

Caricature of Taylor by "Spy" in Vanity Fair, 1876

Taylor left Cambridge in late 1844 and moved to London, where for the next two years he pursued three careers simultaneously. He was professor of English language and literature at University College, London, while at the same time studying to become a barrister, and beginning his life's work as a writer. Taylor was called to the bar of the Middle Temple in November 1846. He resigned his university post, and practised on the northern legal circuit until he was appointed assistant secretary of the Board of Health in 1850. On the reconstruction of the board in 1854 he was made secretary, and on its abolition in 1858 his services were transferred to a department of the Home Office, retiring on a pension in 1876.

Writer 

Taylor owed his fame and most of his income not to his academic, legal or government work, but to his writing. Soon after moving to London, he obtained remunerative work as a leader writer for the Morning Chronicle and the Daily News. He was also art critic for The Times and The Graphic for many years. He edited the Autobiography of B. R. Haydon (1853), the Autobiography and Correspondence of C. R. Leslie, R.A. (1860) and Pen Sketches from a Vanished Hand, selected from papers of Mortimer Collins, and wrote Life and Times of Sir Joshua Reynolds (1865). With his first contribution to Punch, on 19 October 1844, Taylor began a thirty-six year association with the magazine, which ended only with his death. During the 1840s he wrote on average three columns a month; in the 1850s and 1860s this output doubled. His biographer Craig Howes writes that Taylor's articles were generally humorous commentary or comic verses on politics, civic news, and the manners of the day. In 1874 he succeeded Charles William Shirley Brooks as editor.

Taylor also established himself as a playwright and eventually produced about 100 plays. Between 1844 and 1846, the Lyceum Theatre staged at least seven of his plays, including extravanzas written with Albert Smith or Charles Kenney, and his first major success, the 1846 farce To Parents and GuardiansThe Morning Post said of that piece, "The writing is admirable throughout – neat, natural and epigrammatic". It was as a dramatist that Taylor made the most impression – his biographer in the Dictionary of National Biography (DNB) wrote that in writing plays Taylor found his true vocation. In thirty-five years he wrote more than seventy plays for the principal London theatres.

Poster for an 1868 revival of The Ticket-of-Leave Man

A substantial portion of Taylor's prolific output consisted of adaptations from the French or collaborations with other playwrights, notably Charles Reade. Some of his plots were adapted from the novels of Charles Dickens or others. Many of Taylor's plays were extremely popular, such as Masks and Faces, an extravaganza written in collaboration with Reade, produced at the Haymarket Theatre in November 1852. It was followed by the almost equally successful To Oblige Benson (Olympic Theatre, 1854), an adaptation from a French vaudeville. Others mentioned by the DNB are Plot and Passion (1853), Still Waters Run Deep (1855) and The Ticket-of-Leave Man (based on Le Retour de Melun by Édouard Brisebarre and Eugène Nus), a melodrama produced at the Olympic in 1863.Taylor also wrote a series of historical dramas (many in blank verse), including The Fool’s Revenge (1869), an adaption of Victor Hugo's Le roi s'amuse (also adapted by Verdi as Rigoletto), 'Twixt Axe and Crown (1870), Jeanne d'arc (1871), Lady Clancarty (1874) and Anne Boleyn (1875). The last of these, produced at the Haymarket in 1875, was Taylor's penultimate piece and only complete failure. In 1871 Taylor supplied the words to Arthur Sullivan's dramatic cantataOn Shore and Sea.

Like his colleague W. S. Gilbert, Taylor believed that plays should be readable as well as actable; he followed Gilbert in having copies of his plays printed for public sale. Both authors did so at some risk, because it made matters easy for American pirates of their works in the days before international copyright protection. Taylor wrote, "I have no wish to screen myself from literary criticism behind the plea that my plays were meant to be acted. It seems to me that every drama submitted to the judgment of audiences should be prepared to encounter that of readers".

middle aged white man with bushy beard, moustache and hat, seated in semi-profile, glaring towards the camera
Taylor by Lewis Carroll, 1863

Many of Taylor's plays were extremely popular, and several survived into the 20th century, although most are largely forgotten today. His Our American Cousin (1858) is now remembered chiefly as the play Abraham Lincoln was attending when he was assassinated, but it was revived many times during the 19th century with great success. It became celebrated as a vehicle for the popular comic actor Edward Sothern, and after his death, his sons, Lytton and E. H. Sothern, took over the part in revivals.

Howes records that Taylor was described as "of middle height, bearded [with] a pugilistic jaw and eyes which glittered like steel". Known for his remarkable energy, he was a keen swimmer and rower, who rose daily at five or six and wrote for three hours before taking an hour's brisk walk from his house in Wandsworth to his Whitehall office.

Some, like Ellen Terry, praised Taylor's kindness and generosity; others, including F. C. Burnand, found him obstinate and unforgiving. Terry wrote of Taylor in her memoirs:

Most people know that Tom Taylor was one of the leading playwrights of the 'sixties as well as the dramatic critic of The Times, editor of Punch, and a distinguished Civil Servant, but to us he was more than this. He was an institution! I simply cannot remember when I did not know him. It is the Tom Taylors of the world who give children on the stage their splendid education. We never had any education in the strict sense of the word yet through the Taylors and others, we were educated.

Terry's frequent stage partner, Henry Irving said that Taylor was an exception to the general rule that it was helpful, even though not essential, for a dramatist to be an actor to understand the techniques of stagecraft: "There is no dramatic author who more thoroughly understands his business".

In 1855 Taylor married the composer, musician and artist Laura Wilson Barker (1819–1905). She contributed music to at least one of his plays, an overture and entr'acte to Joan of Arc (1871), and harmonisations to his translation Ballads and Songs of Brittany (1865). There were two children: the artist John Wycliffe Taylor (1859–1925) and Laura Lucy Arnold Taylor (1863–1940). Taylor and his family lived at 84 Lavender Sweep, Battersea, where they held Sunday musical soirees. Celebrities who attended included Lewis CarrollCharles Dickens, Henry Irving, Charles ReadeAlfred Tennyson, Ellen Terry and William Makepeace Thackeray.

Taylor died suddenly at his home in 1880 at the age of 62 and is buried in Brompton Cemetery. After his death, his widow retired to Coleshill, Buckinghamshire, where she died on 22 May 1905.