Salisbury Cathedral from the West June 17 & 18th 1870
The cathedral is the subject of a famous painting by John Constable. As a gesture of appreciation for John Fisher, Bishop of Salisbury, who commissioned this painting, Constable included the bishop and his wife in the canvas (bottom left). The view depicted in the painting has changed very little in almost two centuries.
The cathedral is apparently the inspiration for William Golding's novel The Spire, in which the fictional Dean Jocelin makes the building of a cathedral spire his life's work. The construction of the cathedral is an important plot point in Edward Rutherfurd's historical novel Sarum, which explores the historical settlement of the Salisbury area. The cathedral has been mentioned by the author Ken Follett as one of two models for the fictional Kingsbridge Cathedral in his historical novel The Pillars of the Earth. It was also used for some external shots in the 2010 miniseries based on Follett's book and was shown as it is today in the final scene. Another mention of this cathedral was made by Jonathan Swift in Gulliver's Travels, part II, chapter IV, making a comparison between its spire and the tower of the main temple of Lorbrulgrud, Brobdingnag's capital.
Salisbury Cathedral, formally the Cathedral Church of the Blessed Virgin Mary, is an Anglican cathedral in the city of Salisbury, England. The cathedral is regarded as one of the leading examples of Early English Gothic design. Built over a relatively short period, some 38 years between 1220 and 1258, it has a unity and coherence that is unusual in medieval English cathedrals. The tower and spire were completed by 1330. The cathedral's spire, at 404 feet (123 m), is the tallest in England.
The original cathedral in the district was located at Old Sarum, about 2 miles (3.2 km) north of the present city. In 1197 bishop Herbert Poore determined on a relocation but this was not taken forward until the episcopate of his brother, Richard Poore in the early 13th century. Foundation stones for the new building were laid on 28 April 1220 by the Earl and Countess of Salisbury. By 1258 the nave, transepts and choir were complete. The only major additions were the cloisters, added 1240, the chapter house in 1263, and the tower and spire, which was constructed by 1330. At its completion it was the third highest in England, but the collapse of those at Lincoln Cathedral and Old St Paul's Cathedral in the 16th century saw Salisbury become England's tallest.
The cathedral close is Britain's largest, and has many buildings of architectural and/or historical significance. Pevsner describes it as "the most beautiful of England's closes".The cathedral contains a clock which is among the oldest working examples in the world. It also holds one of the four surviving original copies of Magna Carta. In 2008, the cathedral celebrated the 750th anniversary of its consecration. In 2023, the completion of a programme of external restoration begun in 1985 saw the removal of scaffolding that had stood around the building for some 37 years.
History
Salisbury became the seat of a bishop in 1075. At the time, the city was at the now-abandoned site of Old Sarum, on a hill about 2 miles (3.2 km) north of the present-day cathedral. Old Sarum Cathedral was built in the years after and was consecrated in 1092.
In 1197, bishop Herbert Poore sought permission to re-site the cathedral, possibly due to deteriorating relations between the clergy and the military at Old Sarum. Permission was granted but the move was delayed repeatedly until the tenure of his successor and brother Richard Poore. A legend tells that Bishop Poore shot an arrow in the direction he would build the cathedral; the arrow hit a deer, which died in the place where Salisbury Cathedral is now.
Construction was paid for by donations, principally from the canons and vicars of southeast England, who were asked to contribute a fixed annual sum until the building was completed. The foundation stones were laid on 28 April 1220 by William Longespée, 3rd Earl of Salisbury, and by Ela of Salisbury, 3rd Countess of Salisbury. Much of the freestone for the cathedral came from the Teffont Evias Quarry. As a result of the high water table on the new site, the cathedral was built on foundations only 4 feet (1.2 m) deep. By 1258, the nave, transepts, and choir were complete. As a result of being mostly built in only 38 years, Salisbury has by far the most consistent architectural style of any medieval English cathedral. The style used is known as Early English Gothic or Lancet Gothic, the latter referring to the use of lancet windows which are not divided by tracery.
The only major sections begun later were the cloisters, added in 1240, the chapter house in 1263, the tower and spire, which at 404 feet (123 m) dominated the skyline from 1330. In total, 70,000 tons of stone, 3,000 tons of timber and 450 tons of lead were used in the construction of the cathedral. Upon completion, it had the highest masonry spire in England and the third highest overall, after Lincoln and St Paul's. The collapse of the latter two spires in the mid-16th century left Salisbury's as the highest overall.
In the 17th century, Christopher Wren designed restoration measures to strengthen the central pillars, which by then had visibly deformed under the weight of the tower and spire. Significant changes to the cathedral were made by the architect James Wyatt in 1790, including the replacement of the original rood screen and demolition of a bell tower which stood about 320 feet (98 m) northwest of the main building.
Richard Suter (1797–1883).
Richard Suter was born in Greenwich, Kent on 30th March 1798, to William Suter and his wife Sarah Knights. On 7th January 1825 he married Anne Ruth Burn.
English architect. As Surveyor to The Fishmongers' Company he designed the severe Presbyterian churches for Ballykelly (1825–7) and Banagher (1825) on the Company's Estate in County Londonderry, drawings of which were exhibited at the Royal Academy in 1827. He was also responsible for the Model Farm (1823–4), the Lancasterian Schools (1828–30), the Company Agent's House (1830–2—now a hotel, much altered), a range of houses on the south side of the main road (1823–4), the lodge in the Presbyterian churchyard (1828), and the Dispensary (1829), all at Ballykelly, and all Classical. As Surveyor to Trinity House Corporation, he designed houses that were erected by Thomas Cubitt in 1821–3 on a site adjoining Trinity House. For The Fishmongers' Company he designed St Peter's Almshouses, Wandsworth, London (1849–51), and The Old School-House, Gresham's School, Holt, Norfolk(1859), in an Elizabethan style.
On the 1841 Census Richard, an architect and lawyer, can be found living in London with his wife Ann (listed as Ruth) and their two children, Richard George and Andrew Burn. Living with them is Edward D Suter. 1851 finds the family living in Tottenham Court in London, by this time Andrew had left the home, but I am unable to trace him on the 1851 Census. In 1860 Andrew marries Amelia Damaris Harrison. Both Richard George and Andrew were to become ordained ministers, with Andrew later becoming a Bishop and emigrating to New Zealand. Sadly in 1854 Anne Ruth was to pass away. In 1861, widowed Richard, Justice of the Peace for Maidenhead, is living at Castle Hill, Maidenhead, Berkshire. In 1862 he married Elizabeth Anne Pocock. In 1871 and 1881 Richard and Elizabeth are still living in Castle Hill. Richard was to pass away on 1st March1883.
Richard Suter & Annesley Voysey, architects, had their office at number 35 Fenchurch Street, but they did not have it all to themselves as they shared the premises with W.C. Franks, a tea broker, who will get a separate post some other time. The earliest mention I found of Richard Suter in Fenchurch Street is in 1832 when he is listed at that address in a list of contributing members of the Society for the Propagation of the Gospel in Foreign Parts. It says that he had been a member since 1829, but that does not mean he was already at 35 Fenchurch Street in that year.(1) In fact, that seems unlikely as the Sun Fire Office records give Messrs. Short and Co., merchants, as paying the insurance premium on the premises in May 1830. The Directory of British Architects 1834-1914 give the year 1827, but I do not know on what evidence. When Suter and Voysey became partners is also uncertain, but they had known each other since at least 1825 as Suter is named as one of the executors of Voysey’s will which was dated 22 July, 1825. The address given for Suter in the will is Suffolk Street, Southwark. Voysey then lives at Conway Street, Fitzroy Square.